Kayla Trezzo Sull Adda Whore ❤️❤️❤️❤️❤️

Seeking a Trezzo Sull Adda gentleman to make my heart skip a beat

Profile Photo
Location Trezzo Sull Adda, Italy
Foot fetish ❤️
Striptease ❤️❤️
Ball Licking and Sucking Always
Cum in face Sometimes
Couples Yes
Role-play Maybe
Masturbation Partially
Strapon service Rarely
Cunnilingus Not sure
Bust size B
Bust type Natural
Orientation Questioning
Occupation Nurse
Marital status Widowed
Height 171 cm
Weight 68.5 kg
Hair color Pink
Hair length Very short
Eyes color Gray
Body type Tall
Religion Atheist
Ethnicity Caucasian
Education PhD
Smoker Regular smoker
Array Non-drinker
Level of english Native

About Myself

Hey hey, I am Kayla, lets get started, i call Trezzo Sull Adda home, and I am wrapped up in Whores energy, you ignite passions deep within me, i am hooked on Foot fetish and Striptease. I am a romantic who believes in the transformative power of love and connection..

My place is Trezzo Sull Adda, ***** Street, house 58* *** **

Phone: ( +39 ) 1375****

About Rome

Lemme paint ya a picture. Whore ain’t just some gal on the corner, nah! It’s anybody sellin’ they soul for a nickel—men too, don’t get it twisted! I seen it, chile, back in ‘98, my cousin Tee Tee swore she saw a preacher man—yes, a PREACHER—payin’ a gal in the alley behind the Piggly Wiggly. Halleluyer! Made me madder than a wet hen! How you gon’ preach on Sunday and pay for pussy on Saturday? Hypocrisy, that’s the real whore here, struttin’ ‘round like it own the place.

Trezzo sull'Adda

Man, what a day! Seriously, Trezzo-sull-Adda, you’ve got me all kinds of twisted. I woke up thinking it’d be just another chill day, ya know? But nah, the universe had other plans.

Funerary House Luce / studio wok

The funeral home is located in an old small artisan workshop from the 1930s, which marks the corner of a block close to the center of Trezzo sull'Adda, near the axis that connects the city cemetery with the church of Saints Gervasio and Protasio.. © Simone BossiAlong the road, the building is rigorous and almost silent, punctuated by the repetition of the pillars and the positioning of the existing windows which are reduced to horizontal slits to protect themselves and guarantee maximum privacy. The new entrance anticipates the public use of the building, creating a threshold space covered in burnt larch wood that defines the passage between the outside world and the internal space, dedicated to contemplation and farewell..
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Photos

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