Aaliyah Ozu Whore ❤️❤️

About Nagoya

Alright, so I’m sittin’ here, head of the lab, Tina Fey vibes, “I can see Russia from my house!” style, and you wanna know bout whores? Fine, let’s dish! I’m thinkin’ bout this one chick—total badass, right?—like straight outta “The Assassin,” my fave flick, Hou Hsiao-hsien, 2015, all moody and stabby. Whores, man, they’re like Yinniang, the assassin herself—silent, sneaky, workin’ the shadows. “The province must be cleansed,” they say in the movie, and I’m like, damn, whores been cleansin’ somethin’ since forever—pockets, morals, whatever!

Two Films By Yasujiro Ozu

Ozu’s postwar films tackle Japan as a colonial power and are vague in detail about things such as bomb shelters, battlefields, slave labor, and time spent in other countries.

First off, I hit up the local market on Kōen-dōri. You know, the one with all the fresh fish and veggies? I’m strolling, vibing, when I spot this massive tuna. Like, seriously, it was the size of a small car! I’m thinking, “Who’s gonna eat that?” But then, I see this old dude, grinning like he just won the lottery. He’s all about that sashimi life. I’m like, “Dude, you’re a legend!”

Every Movie in This Classic Trilogy Has 100% on Rotten Tomatoes