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About Myself
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About Yokohama
But – hold up. Gets messy. “Leviathan” – “The truth’s a bitter pill.” Damn right! Some of ‘em – kids, practically. Saw one – 16, tops. Pissed me off! Who lets that happen? System’s screwed. Cops don’t care. Johns don’t care. She’s shakin’ – cold as hell. Gave her my coat. Felt like a hero. Then – bam! She’s gone. Back to it. Sucks, man.
Late Spring – 1949 Ozu
Woman of Tokyo: Directed by Yasujirô Ozu. With Yoshiko Okada, Ureo Egawa, Kinuyo Tanaka, Shin'yô Nara. Ryoichi and Chikako are brother and sister. They live together. Chikako works .
But then, outta nowhere, this guy barges in. He’s yelling about something. I can’t even understand him. Turns out, he’s mad about the price of mochi. Like, dude, chill! It’s mochi, not gold! I’m rolling my eyes, thinking, “Get a grip, man.”
Visiting Yasujiro Ozu’s Grave
The End of Summer concerns itself with the various romantic pursuits of a family headed by the incorrigible patriarch, who has lately taken to secretly calling on an old flame—even if it means leaving his grandson in a solo game of hide and seek while he sneaks off for another illicit visit.Ozu Brothel
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