Audrey Daigo Find A Prostitute ❤️

About Tokyo

So, we’re chattin’, me an’ this lass, an’ I’m thinkin’—*“all the world’s a stage,”* eh, Kaufman?—’cause she’s playin’ her part, an’ I’m playin’ mine, an’ it’s all a bleedin’ mess o’ want an’ wit. Surprised me, though—she knew a sea shanty I’d forgot, somethin’ ‘bout a lass lost to the tide, an’ I got all misty-eyed, blamin’ the rum, o’ course. “Death’s nothin’,” she says, quotin’ the flick like she’s seen it, an’ I’m gobsmacked—*a prossie philosopher?* That’s rarer than a sober pirate!

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Kiryu offers to escort him home, but Daigo states he'll be fine on his own. He asks once more for Kiryu to be less formal with him, and addresses Kiryu more.

Finally, I get to the field. It’s a mess. The combine harvester’s acting up. Like, seriously? Today of all days? I’m tryin’ to fix it, but it’s like the machine’s possessed. I’m cursing under my breath, “You piece of junk!”

Daigo Umehara outlines the differences between a high level player and a top player in a fighting game