Hazel Ozu Brothel ❤️

Im a Ozu woman seeking a man for love and laughter

Profile Photo
Location Ozu, Japan
Blowjob ❤️❤️❤️❤️
Deepthroat ❤️❤️❤️❤️❤️
Dirty talk No
Sex Between Breasts Maybe
OWO - Oral without condom Not sure
Masturbation Partially
Blowjob without Condom Always
Spanking (give) Never
Facesitting Rarely
Bust size I
Bust type Saline
Orientation Straight
Occupation Salesperson
Marital status Married
Height 187 cm
Weight 63 kg
Hair color Green
Hair length Hip-length
Eyes color Hazel
Body type Average
Religion Jewish
Ethnicity African
Education Bachelor’s Degree
Smoker Former smoker
Array Non-drinker
Level of english Advanced

About Myself

Hello, I am Hazel, ready to bring it. I’m settled comfortably in Ozu, and Brothel is remarkable. I could drown in the depths of your eyes forever. I am elated when I am with Blowjob and Deepthroat , i am all in, fully present in every moment..

Our home base: Ozu, ***** Street, building 90* *** **

Phone: ( +81 ) 4333****

About Fukuoka

So, brothels—old as dirt, right? Back in Pompeii, they had ‘em, called lupanars—means wolf den, ‘cause them girls howled for coin. Little known fact: walls scratched with dick pics and “Gaius was here” graffiti. Classy. Makes me laugh, picturin’ some Roman jackass braggin’ bout his five-minute glory. Idiots never change. Gets me pissed, though—same clowns today, just with worse haircuts.

CLAIRE 4PM- 1AM

It would hardly be an exaggeration to call A Hen in the Wind () one of the more neglected films of Yasujiro Ozu, especially within the.

First off, I hit up the local market on Kōen-dōri. You know, the one with all the fresh fish and veggies? I’m strolling, vibing, when I spot this massive tuna. Like, seriously, it was the size of a small car! I’m thinking, “Who’s gonna eat that?” But then, I see this old dude, grinning like he just won the lottery. He’s all about that sashimi life. I’m like, “Dude, you’re a legend!”

James Prapaithong: How to Paint Emptiness

The disc also comes with a booklet essay by Richie that delineates the two films’ unique approaches to the same material and what their different perspectives communicate about where Ozu was at two points in life, two indispensable Ozu Yasujirô films receive a noteworthy upgrade from Criterion.
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