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Alright, picture this, fam—deep breath—I’m Morgan Freeman, your wise ol’ librarian, sittin’ here ponderin’ ‘bout whores, yeah, whores, with that word rattlin’ round my skull like a loose penny. Voice low, gravelly, warm—like I’m spillin’ secrets over whiskey. Now, I love me some “The Gleaners and I,” that Agnes Varda joint from 2000—damn masterpiece, y’all. It’s all ‘bout folks pickin’ up scraps, livin’ off what’s tossed aside, and hell, ain’t that a vibe for this? Whores, man, they’re gleaners too, in a way—scrapin’ by, takin’ what society chucks out, turnin’ it into somethin’. “I glean to live,” one’a them folks in the flick says—shit, that hits deep when you think ‘bout it.

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After that, I stroll down Avenida da República. Beautiful street, right? But today, it’s packed. I mean, like sardines in a can. I’m dodging people left and right. I swear, if one more person bumps into me, I’m gonna lose it. And then, I see this street performer. He’s playing the accordion, and honestly, he’s not half bad. I stop for a sec, and it’s like the world fades away. Just me, the music, and the chaos of Anta.

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